How To Hold A Violin Properly

July 21, 2014

Although people are not built in the same way good posture is very important. The most dynamic phase of how to hold a violin is having a well-built body. First one should look for a chin and a shoulder pad that is good for their posture. Properly place the kit on the shoulder avoiding firm hold by balancing it well.

Tension can occur and it is difficult to change it after long period of exercise if the equipment is not held in the correct way. Ensure that collarbone is relaxed while supporting the violin with the left hand and shoulder. The head has a mass that alleviates the apparatus. Players chin distance changes depending with the length.

The space between the players shoulder and the kits back is fitted with a pad. This pad provides friction preventing a violin from slipping off the shoulder. As the collarbone remains constant the support changes from left hand shoulder and the jaw.

Fixing the pad carefully and resting the shoulder and chin appropriately, makes holding of this equipment to be much easier. The jaw is offered a suitable place by the chin and changes amid the collarbone and chin. The purpose of chin rest is to protect the varnish provide a secure and comfortable place for the hand to adjust the distance from the jaw to collarbone. The chin and the jaw establish two points which are unchanging to the kit. For luxury and to protect the collar-bone place a cloth that is not slippery on it.

Left hand provides support for the apparatus. The neck should rest against the base knuckle located around the first finger that is in the left hand. From the first or second finger the thumb should lightly contact the violin neck. The thumb provides gentle counter pressure preventing the kit from slipping and base of first finger provides support for neck. Four contacts points are established with the violin the side of left thumb collarbone jaw and the base of the index finger.

Spending some quality time holding it is very important. It is advisable while moving around to be attentive to posture and balance. To reduce tension weight of the head should be applied momentarily. Gravity force pulls it down but is opposed by the finger and collarbone assisted by the thumb.

With calm shoulders and rear muscles, help sustain the extended left arm with a stable body. The equipment is not supposed to be held with a firm grip. After good exercise shifting the violin becomes very simple. It should rest on the collar-bone at an angle. The thickness of the instrument is less than the length between the collarbones to the jaw caused by slight tilt found in it.

A thick pad is used for thin shoulders. It is important to note that thickness of the pad or the shoulder rest should have no relation existing when the necks of those playing is considered. When one is changing points it is advisable relieve some work from the left arm. The function served by various parts changes while one is playing. During dynamic changes the alleviation is resulted by three points.

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posted in Music by Monique Potts

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